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Kellogg Writers Series: Gina Chung (Fiction Reading)

Tuesday, November 19, 2024
7:30-8:30 p.m.
Schwitzer Student Center, UIndy Hall A
Fiction Reading
L/P Credit Available

Free and open to the public!

The Kellogg Writers Series brings writers of distinction to the University of Indianapolis campus for classroom discussions and free public readings.

Gina Chung is a Korean American writer from New Jersey currently living in New York City. She is the author of the novel Sea Change, which was longlisted for the Center for Fiction First Novel Prize, a 2023 B&N Discover Pick, ​an APALA Adult Fiction Honor Book, and a New York Times Most Anticipated Book, and the short story collection Green Frog, which was a Good Morning America Book Buzz Pick. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from The New School. Her work appears or is forthcoming in One Story, BOMB, The Kenyon Review, Literary Hub, Catapult, Electric Literature, and Gulf Coast, among others.

Praise:
“Gina Chung’s Green Frog is remarkable. The stories hit, each one, and land with such seeming perfection. Chung’s book sits next to my all-time favorite story collections by masters of the craft: Karen Russell, Nana Kwame Adjei-Brenyah, George Saunders, and Ted Chiang. This book does not disappoint—it defies gravity in such a way that it takes your breath away, like it lifts you up and up and up past the clouds and into space. There is so much raw power and emotion in these stories that after finishing each one, I felt more and more alive. Green Frog is an unforgettable dream.”
—Morgan Talty, award-winning author of Night of the Living Rez

“A fantastic medley of short stories that dance between literary fiction, fable, Korean folklore, and science fiction. Wildly entertaining, wonderfully diverse, and always delivered with a superb understanding of pacing and economy of language, the stories in this collection are full of emotional intelligence but also prove Chung isn’t afraid to explore what genre mixing can do for short narratives.” —NPR